Title: Experiencing the infra-ordinary : the power of imaginative spaces
Source document: Theatralia. 2024, vol. 27, iss. 1, pp. 112-144
Extent
112-144
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2024-1-6
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.80028
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Rights access
open access
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Examining The Infra-Ordinary Lab (IOL), a site-specific participatory performance that invites participants to a multi-sensory exploration of the 'genius loci' of Holešovická Tržnice, this article explores the importance of active, imaginative, and embodied experience in performing arts, in contrast to our increasingly screen-based lives. It questions the hierarchy of our senses and highlights some of the historical context behind this. It discusses the politics of drawing attention to the 'infra-ordinary aspects' (PEREC 2008) of our surroundings and the vital importance of protecting the wild space of our imagination and our freedom to 'feel', outside of the dominant consumer narrative. The article is written in a form of a dialogue which reflects various aspects of the projects in a deliberately multi-faceted, fragmentary and rhizomatic way.
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[3] BACHELARD, Gaston. 1994. The Poetic of Space: The Classic Look at How We Experience Intimate Places. Transl. by Maria Jolas. Boston: Beacon Press, 1994 [1958].
[4] BAL, Mieke. 1999. Quoting Caravaggio: Contemporary Art, Prosperous History. Chicago/London: The University of Chicago Press, 1999.
[5] BRUNO, Giuliana. 2007. Atlas of Emotion: Journeys in Art Architecture and Film. New York: Verso, 2007.
[6] EAGLEMAN, David. 2020. Livewired: The Inside Story of the Ever-Changing Brain. Edinburgh: Canongate Books, 2020.
[7] HADDINGTON, Pentti, Lorenza MONDADA, and Maurice NEVILE (eds.). 2013. Interaction and Mobility: Language and the Body in Motion. Berlin: Mouton de Gruyter, 2013.
[8] HALBERSTAM, Judith. 2011. The Queer Art of Failure. Durham/London: Duke University Press, 2011.
[9] HAN, Byung-Chul. 2021. UnDinge: Umbrüche der Lebenswelt. Berlin: Ullstein, 2021.
[10] KOLB, Alexandra. 2012. Overt and Covert Politics in Contemporary Choreography. In Claudia Behrens et al. (eds.). Tanzerfahrung und Welterkenntnis. Leipzig: Henschel, 2012: 34-44.
[11] PALLASMAA, Juhani. 2005. The Eyes of the Skin: Architecture and the Senses. Chichester: John Wiley & Sons Ltd, 2005.
[12] PALLASMAA, Juhani. 2009. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester: John Wiley & Sons Ltd, 2009.
[13] PEREC, Georges. 2008. Species of Spaces. London: Penguin, 2008.
[14] SCHMID, Wilhelm. 2019. Von der Kraft der Berühung. Berlin: Insel Verlag, 2019.
[15] ŠVANKMAJER, Jan. 2006. Decalogue. Transl. by Tereza Stehlíková. Vertigo 3 (2006): 1: 72.
[16] TANIZAKI, Jun'ichirō. 2001. In Praise of Shadows. London: Vintage, 2001 [1933].
[17] TUAN, Yi-Fu. 1975. Place: An Experiential Perspective. Geographical Review 65 (1975): 2: 151-165.