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Page, Janet K.. Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.

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Sehnal, Jiří. Frömmigkeit und Musik. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 3–9.

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Herczog, Johann. Spiritualität, Dichtung und Komposition : die variablen Entwicklungsebenen des italienischen Oratoriums. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 17–42.

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Jochymczyk, Maciej. Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.

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Spáčilová, Jana. Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 137–161.

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Hochradner, Thomas. Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 121–135.

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Freemanová, Michaela. Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.

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Jeż, Tomasz. Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.

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Antonicek, Theophil. Frömmigkeit – Pietas. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 11–15.

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Kačic, Ladislav. Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 275–290.

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Perutková, Jana. Die von Questenbergschen Musikern aufgeführten Oratorien in Mähren in der 1. Hälfte des 18. Jahrhunderts. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 163–174.

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Mellace, Raffaele. From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.

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Kapsa, Václav. Die Musik in der St. Nikolauskirche auf der Prager Kleinseite in der ersten Hälfte des 18. Jahrhunderts. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 189–209.

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Zedler, Andrea, Boschung, Magdalena. "Per l'allusione alle correnti cose d'Italia" : Antonio Caldaras römische Weihnachtskantaten für Papst und Fürst. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 89–120.

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Prominczel, Johannes. Die so genannten Sepolcri von Marc'Antonio Ziani. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 61–72.

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Khokhlova, Elena. Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.

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Lidova, Maria. Maria Regina : transformations of an early Byzantine image in late eighth-century Rome. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 136–153.

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Photographic credits. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 238–239.

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Mainoldi, Ernesto Sergio. The Representation of Sacred Royalty in the codices of Charles the Bald and the Furtherance of Romanness in the Late Carolingian Age. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 50–69.

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Ivanovici, Vladimir. The prison of the mind : growing up with myths in Communist Romania. Convivium. 2017, vol. 4, iss. 1, pp. 128–141.

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Burnichioiu, Ileana. Concepts distorted by ideologies : a view on m medieval "Romanian" art (1945–1989). Convivium. 2017, vol. 4, iss. 1, pp. 104–127.

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Benešovská, Klára. Charles IV 1978–2016 : reviewing the ideological background of the exhibitions and conferences in 1978. Convivium. 2017, vol. 4, iss. 1, pp. 158–173.

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Barral i Altet, Xavier, Foletti, Ivan. Medieval art history in prison. Convivium. 2017, vol. 4, iss. 1, pp. 10–14.

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Lovino, Francesco. Communism vs. Seminarium Kondakovianum. Convivium. 2017, vol. 4, iss. 1, pp. 142–157.

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Photographic credits. Convivium. 2017, vol. 4, iss. 1, pp. 174–175.

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Aguirre, Mariana. From imitazione to creazione : Lionello Venturi, medieval art, and Fascism. Convivium. 2017, vol. 4, iss. 1, pp. 88–103.