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Spáčilová, Jana. Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts. Theatralia. 2019, vol. 22, iss. 2, pp. 123–136.

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Bulandrová, Amálie. Ohlédnutí za několika scénografickými publikacemi. Theatralia. 2019, vol. 22, iss. 2, pp. 231–242.

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Lukáš, Miroslav. Das Theater zur Zeit des Fürsten Leopold Ignaz von Dietrichstein. Theatralia. 2019, vol. 22, iss. 2, pp. 93–106.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Jochmanová, Andrea. Lola Skrbková (1902–1978). Theatralia. 2022, vol. 25, iss. 1, pp. 189–203.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Šalounová, Kateřina. Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Horoščák, Marek. Royal Court Theatre, Londýn, červenec 2010 : (zpráva z tvůrčího pobytu s pokusem o mírný přesah). Theatralia. 2011, vol. 14, iss. 2, pp. 207–222.

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Mikulová, Iva. Setkání 2011 Stretnutie. Theatralia. 2011, vol. 14, iss. 2, pp. 233–237.

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Štefanides, Jiří. Vladimír Just: O dějinách divadla v totalitě a po totalitě. Theatralia. 2011, vol. 14, iss. 2, pp. 250–252.

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Štefanides, Jiří. Výzkum dějin divadla - v Česku nechtěné dítě?. Theatralia. 2011, vol. 14, iss. 2, pp. 222–224.

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Žárská, Lenka. Translation of language varieties in the Flemish dubbing of Harry Potter and the Prizoner of Azkaban. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 23–34.

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Čapek, Jan, Plevíková, Ivana. The foresight in hindsight : the new pathways in North American Studies conference report. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 113–122.

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Bojda, Tomáš. Rozhlasový režisér Josef Henke. Theatralia. 2021, vol. 24, iss. 1, pp. 216–239.

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Šlaisová, Eva. Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České písně kramářské. Theatralia. 2021, vol. 24, iss. 1, pp. 147–187.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.