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Displaying 1261 - 1290 of 1406

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Kubart, Tomáš. Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.

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Gočálová, Zdenka. Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.

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Bernátek, Martin, Sosnowska, Dorota. Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.

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Lánská, Dita. Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Drábek, Pavel. Bakhtin and theatre?. Theatralia. 2016, vol. 19, iss. 2, pp. 152–155.

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Ciesielski, Tomasz. Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.

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Havlíčková Kysová, Šárka, Kačer, Tomáš. Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.

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Drábek, Pavel. Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.

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Kašparová, Barbora. Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.

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Bulandrová, Amálie. Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.

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Konývková, Tereza, Arntzen, Knut Ove. Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.

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Vodička, Libor. The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.

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Jochmanová, Andrea. Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.

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Sajewska, Dorota, Sosnowska, Dorota. Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.

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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Dobozy, Tamas, Blake, Jason. "Flavours of meaning" : an interview with Tamas Dobozy. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 5–9.

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Kürtösi, Katalin, Gadpaille, Michelle, Blake, Jason, Kyloušek, Petr, Staines, David, Rau, Albert. Don Sparling at 80. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 11–17.

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Gadpaille, Michelle. Pandemic, prophecy, and politics in Mary Shelley and Emily St John Mandel. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 19–38.

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Szamosi, Gertrud. Exploring the transnational in Shauna Singh Baldwin's We Are Not in Pakistan. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 51–61.

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Kováč, Stanislav. Perceptions and misperceptions of Canadian realia among Slovak students of English. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 63–76.

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Deirani, Rasha. Hyphenated identities : integration and belonging in Korean-Canadian narratives. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 77–87.

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Greilinger, Szonja. Translating Carleigh Baker's "Last Woman". The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 101–112.