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Bernátek, Martin. The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.

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[Contents of the section Events]. Theatralia. 2014, vol. 17, iss. 2, pp. 245–246.

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Drábek, Pavel. Hastábhinaja: gesta rukou v tradičním divadelním umění Indie. Theatralia. 2014, vol. 17, iss. 2, pp. 225–226.

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[Contents of the section Orientation]. Theatralia. 2014, vol. 17, iss. 2, pp. 223–224.

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Majcen Linn, Olga. The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.

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Pšenička, Martin. Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.

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Sládek, Ondřej. Jan Mukařovský and theatre. Theatralia. 2014, vol. 17, iss. 2, pp. 122–136.

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Schmid, Herta. Jiří Veltruský revisited. Theatralia. 2014, vol. 17, iss. 2, pp. 96–110.

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Šlaisová, Eva. The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.

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Bulandrová, Amálie. The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.

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Krpič, Tomaž. Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.

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Summary. Theatralia. 2013, vol. 16, iss. 2, pp. 100–108.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Blecha, Jaroslav. The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.

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Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Chryssouli, Georgia. Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Přidalová, Jana. Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.

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Bulandrová, Amálie, Arntzen, Knut Ove. Visual dramaturgy : interview with Knut Ove Arntzen. Theatralia. 2020, vol. 23, iss. 2, pp. 163–168.

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Macháček, Josef. Adult education in Czechoslovakia. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1973, vol. 22, iss. B20, pp. 77–86.

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Cetl, Jiří. [Münz, Teodor. Baruch Benedictus Spinoza (1632-1667)]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1981, vol. 30, iss. B28, pp. 79.

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Raclavský, Jiří. Tichý's "Five modes of forming constructions". Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 2000, vol. 49, iss. B47, pp. 75–82.

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Materna, Pavel. [Polish logic 1920-1939. Edited by Storrs McCall]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1968, vol. 17, iss. B15, pp. 135.

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Dokulil, Miloš. [The cyborg handbook. Ed. by Chris Hables Gray with the assistance of Heidi J. Figueroa-Sarriera and Steven Mentor]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1996, vol. 45, iss. B43, pp. 103–104.