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Celhoffer, Martin. √2 ≠ a : b jako problém tonality. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 69–76.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Hořínka, Slavomír. Interspace: vzdálenost jako kompoziční strategie. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 35–50.

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Khokhlova, Elena. On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.

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Cseres, Jozef. Zrod intermedií v díle Roberta Rauschenberga. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 5–14.

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Sůsa, Jan. Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 111–118.

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Schachenmayr, Alkuin Volker. Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197–203.

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Švandová, Petra. Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 137–158.

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Perutková, Jana. Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 79–96.

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Zahrádka, Jiří. Janáčkova trnitá cesta k založení brněnské konzervatoře a jejímu zestátnění. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 159–196.

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Charypar, Jan. Náboženské motivy v tvorbě Josefa Suka. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 51–64.

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Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

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Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

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Ladič, Branko. Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.

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Kalinayová-Bartová, Jana. Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 87–104.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Kapsa, Václav. The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 179–199.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Toffetti, Marina. Deconstructing Daniel Speer's Philomela angelica (1688) to reconstruct Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 105–127.

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Kramářová, Helena. Neu besorgte Musikalien für die Stadtpfarrkirche St. Jakob in Brünn zwischen den Jahren 1763 und 1781. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 239–270.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Jung, Hermann. Die Passion Christi als musikalische Meditation : Text, Bildgestalt und Symbolik bei Dieterich Buxtehude, Heinrich Ignaz Franz Biber und Heinrich Schütz. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 3–18.

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Perutková, Jana. K výzkumu výměny hudebnin mezi hrabětem z Questenbergu a jeho aristokratickými přáteli. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 29–51.