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Obsah 70. ročníku. Opuscula historiae artium. 2021, vol. 70, iss. 2, pp. 243.

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Slavíček, Lubomír. "In arte voluptas" : die Kunstsammlung des Textilfabrikanten Karl Löw. Opuscula historiae artium. 2021, vol. 70, iss. 2, pp. 170–217.

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Adámková, Iva. Discussion on the nature of the decoration of the liturgical space in the 12th century and the concept of the senses. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 2–17.

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Vyskupová, Martina. Rex femina in the portrait presentation of Maria Theresa as the Queen of Hungary. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 40–55.

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Brdek, Zdeněk. Jindřich Chalupecký a Mikoláš Aleš. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 92–101.

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Zapletalová, Jana. The Florentine painter Giovanni Battista Ghidoni and his work in Tuscany and Moravia. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 18–39.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Földváry, Kinga. Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.

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Drábek, Pavel. Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.

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Mareček, Luboš. Autorsky rozeklaný portrét dvojčat. Theatralia. 2021, vol. 24, iss. 1, pp. 291–294.

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Turzíková, Tereza. In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Bojda, Tomáš. Rozhlasový režisér Josef Henke. Theatralia. 2021, vol. 24, iss. 1, pp. 216–239.

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Šlaisová, Eva. Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České písně kramářské. Theatralia. 2021, vol. 24, iss. 1, pp. 147–187.