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Perutková, Jana.
Klosterneuburger Librettodrucke aus dem 18. Jahrhundert – neu bewertet. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 5–27.
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Pivoda, Ondřej.
Hans Bruckmüller: Mahlerův současník a osobnost německého hudebního života na Moravě. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 29–51.
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Veselovská, Eva.
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.
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Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
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Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
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Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.
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Dobšinský, Peter.
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.
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Pavlica, Lukáš.
The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.
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Pernerstorfer, Matthias Johannes.
Le cinque piaghe di Christo von Nicolò Minato und Antonio Draghi (1677) und die Verehrung der fünf Wunden Christi durch den Sternkreuzorden. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 167–189.
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Biba, Otto.
Liebe und Tugend : Musik als eine moralische Institution. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 5–18.
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Cseres, Jozef.
Marcel Duchamp's and John Cage's chess intermedia. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 19–28.
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Libin, Kathryn L..
Love and virtue in the Lobkowitz house theatre : Ferdinando Paër's L'amor conjugale. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 73–94.
Article
Nimylovych, Oleksandra, Filonenko, Ludomyr.
Prague pages of the creative work of the Ukrainian composer Vasyl Barvinskyi. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 95–110.
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Sehnal, Jiří.
Amor divinus – amor maternus : Salve Regina-Vertonungen im 17. Jahrhundert. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 111–123.
Article
Szczygieł, Justyna.
Franz Kautny (1788-1836): the owner of musical manuscripts from the Jasna Góra collection. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 125–150.
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Beckerman, Michael.
Love and virtue in Cavalli's L'Erismena. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 5–12.
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Cígler, Pavel .
Sources for research on the Union of Czechoslovak Composers. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 41–51.
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Hilscher, Elisabeth Theresia.
Zwischen Himmel und Hölle : Kardinaltugenden und Todsünden in Wiener Oratorientexten des 18. Jahrhunderts. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 53–68.
Article
Studeničová, Hana.
From Moravská Třebová to Klosterneuburg: to the fate of one part book. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 79–92.
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Svoboda, František.
When the music changes, so does the dance : do we still need copyright collectives?. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 93–113.
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Ševčíková, Veronika.
Romani music in Czech film after 1989, specifically between 1993 and 2017. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 129–142.
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Tichý, Vlastimil.
The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 143–192.
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Tukova, Iryna.
Art music and war : Ukrainian case 2022. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 193–204.
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Voříšek, Martin.
"Die rechte Liebe grünet auf Beständigkeit", or "Gelosia, filia è d'amor"? : love and virtue in two wedding operas from the milieu of the mid-18th century Schwarzenberg court. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 205–222.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
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Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
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Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
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Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.