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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Švachová, Romana.
Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.
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Březinová, Helena.
Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.
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Stehlíková, Karolína, Černík, Zbyněk.
Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.
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Sosnowska, Dorota.
Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.
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Holmberg, Jan.
Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.
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Tóthová, Kristína.
Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.
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Perregaard, Bettina.
The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.
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Stehlíková, Eva.
The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.
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Stehlíková, Karolína.
Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.
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Solčániová, Ivona.
Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.
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Stehlíková, Karolína, Holmberg, Jan.
Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.
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Stehlíková, Karolína.
The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.
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Drozd, David.
Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.
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Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
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Couch, Nena.
Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.
Article
Billing, Christian M., Drábek, Pavel.
Introduction: the significance of scenography in a Czech context. Theatralia. 2011, vol. 14, iss. 1, pp. 9–23.
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Příhodová, Barbora.
The specificity of scenography : a Czech contribution to the theory of scenography. Theatralia. 2011, vol. 14, iss. 1, pp. 254–262.
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Stehlíková, Eva.
A contribution to the knowledge of nineteenth-century Czech stage art : Bořivoj Srba, V zahradách Thespidových (In Thespis' garden). Theatralia. 2011, vol. 14, iss. 1, pp. 266–267.
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Bartošová, Lada.
The National Theatre Ballets of František Zelenka. Theatralia. 2011, vol. 14, iss. 1, pp. 147–172.
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Blecha, Jaroslav.
The history and scenographic influence of Czech family marionette theatres. Theatralia. 2011, vol. 14, iss. 1, pp. 114–146.
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Pelikánová, Lucie.
The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.
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Brandesky, Joseph E..
Master of dramatic space: a documentary on Jaroslav Malina : by Dutch filmmaker Hans van Seventer. Theatralia. 2011, vol. 14, iss. 1, pp. 263.
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Uličný, Petr.
Christ in motion: portable objects and scenographic environments in the liturgy of medieval Bohemia. Theatralia. 2011, vol. 14, iss. 1, pp. 24–64.
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Spáčilová, Jana.
Libretto as a source of Baroque scenography in the Czech lands : ad honorem Jiří Hilmera. Theatralia. 2011, vol. 14, iss. 1, pp. 82–97.
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Stehlíková, Eva.
Divadlo Svoboda (Theatre Svoboda) : a feature-length documentary film by Jakub Hejna. Theatralia. 2011, vol. 14, iss. 1, pp. 264–265.
Article
Matulová, Jitka.
On behalf of the nation? (More than) a nostalgic wandering through the Czech lands : book review of Jiří Valenta (ed.) Malované opony divadel českých zemí (Painted theatre curtains in the Czech lands). Theatralia. 2011, vol. 14, iss. 1, pp. 268–269.