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Šmilauerová, Tereza. Ruin and Renewal: Association for Asian American Studies' 2022 Conference. Theory and Practice in English Studies. 2021, vol. 10, iss. 2, pp. 43–47.

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Bilská, Eva. The concept of femininity in Davenant's Macbeth. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 15–27.

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Mikyšková, Anna, Goff, Moira. "With Several Entertainments of Dancing" : interview with dance historian Moira Goff about dancing on the London restoration and eighteenth-century stage. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 109–121.

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Alexander, Laura. Marring the plot : Susanna Centlivre's The Busybody and the critique of heteronormativity. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 103–106.

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Škrobánková, Klára. [Gardner, Matthew; DeSimone, Alison Clark. Music and the Benefit Performance in Eighteenth-Century Britain]. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 129–132.

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Janská, Kristýna. "The nation's weather-glass a play-house is" : theatre in the prologues and epilogues of the Exclusion Crisis. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 29–47.

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Škrobánková, Klára. Clapping to a criminal : the Jack Sheppard craze of the 1720s. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 63–77.

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Mikyšková, Anna. Editorial. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 7–12.

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Wiseman, Sharon. Production review : from page to Zoom with love and masks. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 123–127.

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Krajník, Filip. Revisiting restoration performance culture for the second time : restoration online symposium #2, "Theatre, Society and Politics". Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 133–137.

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Banner, Jessica. Dressed in the trappings of a sentimental heroine : costuming Shakespeare's Juliet on the eighteenth-century English stage. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 79–100.

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Krajník, Filip. Haunted purgatory : Boccaccio's Decameron 3.8 as an eighteenth-century afterpiece. Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 49–62.

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Večeřová, Monika. The African American femme fatale : how Black hard- boiled fiction encourages misogynoir. Theory and Practice in English Studies. 2021, vol. 10, iss. 2, pp. 23–33.

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Dobiášová, Sarah. [Kövecses, Zoltán. Extended conceptual metaphor theory]. Theory and Practice in English Studies. 2021, vol. 10, iss. 2, pp. 37–41.

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Špetla, David. Semantic maps : a way out of the equivalence conundrum?. Theory and Practice in English Studies. 2021, vol. 10, iss. 2, pp. 7–21.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.