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Displaying 241 - 270 of 287

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Pérez-Simón, Andrés. Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.

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Drábek, Pavel. Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.

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Ambros, Veronika. Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.

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[Contents of the section Yorick]. Theatralia. 2014, vol. 17, iss. 2, pp. 11–[12].

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Kubart, Tomáš. O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.

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Meerzon, Yana. Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.

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Kostihová, Marcela. In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.

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Kačer, Tomáš, Příhodová, Barbora. Editorial. Theatralia. 2014, vol. 17, iss. 2, pp. 5–6.

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Sakellaridou, Elizabeth. Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.

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Satková, Naďa. "Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.

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Bernátek, Martin. The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.

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[Contents of the section Events]. Theatralia. 2014, vol. 17, iss. 2, pp. 245–[246].

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Drábek, Pavel. Hastábhinaja: gesta rukou v tradičním divadelním umění Indie. Theatralia. 2014, vol. 17, iss. 2, pp. 225–226.

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[Contents of the section Orientation]. Theatralia. 2014, vol. 17, iss. 2, pp. 223–[224].

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Majcen Linn, Olga. The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.

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Pšenička, Martin. Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.

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Sládek, Ondřej. Jan Mukařovský and theatre. Theatralia. 2014, vol. 17, iss. 2, pp. 122–136.

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Schmid, Herta. Jiří Veltruský revisited. Theatralia. 2014, vol. 17, iss. 2, pp. 96–110.

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Šlaisová, Eva. The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.

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Theatralia, 2014, vol. 17, issue 1.

Issue
Theatralia, 2014, vol. 17, issue 2.

Article
Antůšková, Cecílie. TIM na exkurzi ve vídeňském Domě hudby a v Muzejní čtvrti. TIM ezin. 2014, vol. 4, iss. 1-2, pp. 168–171.

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Poslání časopisu ; Redakční rada .... TIM ezin. 2014, vol. 4, iss. 1-2, pp. 3.

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Antůšková, Cecílie, Horáková, Petra, Holášek, Marek, Bohadlová, Adéla. Café Neu Romance: roboti sobě : recenze festivalu robotické performance a robotiky 2013. TIM ezin. 2014, vol. 4, iss. 1-2, pp. 119–134.

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Trenažér konference TIM 2014: anotace příspěvků. TIM ezin. 2014, vol. 4, iss. 1-2, pp. 150–159.

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Grau, Oliver. Mediálne umenie potrebuje prepojenú organizáciu a podporu – medzinárodné prehlásenie. TIM ezin. 2014, vol. 4, iss. 1-2, pp. 72–78.

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Barok, Dušan. Len incentív. TIM ezin. 2014, vol. 4, iss. 1-2, pp. 69–71.