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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Kocmanová, Jessie. [Lüdeke, Henry. Geschichte der amerikanischen Literatur]. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1965, vol. 14, iss. D12, pp. 251–252.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Tichý, Aleš. [Wright, Andrew. Herny [i.e. Henry] Fielding: Mask and feast]. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1967, vol. 16, iss. D14, pp. 181–182.

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Pokrivčák, Anton. New criticism - worth reconsidering?. In: Třináct let po = Trinásť rokov po. 2006, pp. 217–221.

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Kocmanová, Jessie. The unpublished lectures of William Morris. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1972, vol. 21, iss. D19, pp. 174–175.

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Stirton, Paul. Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.

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Secklehner, Julia. Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.

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Filipová, Marta. A world of its own? : art history in Prague. Art East Central. 2021, vol. 1, iss. 1, pp. 135–140.

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Kocmanová, Jessie. [Fredeman, William E. Pre-Raphaelitism]. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1969, vol. 18, iss. D16, pp. 232–234.

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Photographic credits. Convivium. 2014, vol. 1, iss. 1, pp. 222–223.

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Bacci, Michele. The Holy Name of Jesus in Venetian-ruled Crete. Convivium. 2014, vol. 1, iss. 1, pp. 190–205.

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Benešovská, Klára, Foletti, Ivan, Romano, Serena. Circulation as a factor of cultural aggregation: an introduction. Convivium. 2014, vol. 1, iss. 1, pp. 17–18.