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Bohadlo, Stanislav. Diachronně synchronní kontinuum-diskontinuum jako východisko, metoda i cíl : Fukačovy hudební historiografie aneb definice není nikdy definitivní. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 21–26.

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Macek, Petr. Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.

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Tesař, Stanislav. Fukačův příspěvek k helfertovskému konceptu intelektualizace hudební výchovy. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 5–9.

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Dichtl, Karel. Několik poznámek k problematice modelace apoteózních finálních struktur v mahlerovských a sibeliovských symfonických juveniliích. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 187–199.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Hořínka, Slavomír. Interspace: vzdálenost jako kompoziční strategie. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 35–50.

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Khokhlova, Elena. On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.

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Cseres, Jozef. Zrod intermedií v díle Roberta Rauschenberga. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 5–14.

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Sůsa, Jan. Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 111–118.

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Švandová, Petra. Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 137–158.

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Perutková, Jana. Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 79–96.

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Zahrádka, Jiří. Janáčkova trnitá cesta k založení brněnské konzervatoře a jejímu zestátnění. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 159–196.

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Charypar, Jan. Náboženské motivy v tvorbě Josefa Suka. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 51–64.

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Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

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Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

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Ladič, Branko. Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.

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Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

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Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

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Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

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Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

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Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.

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Landy, Leigh. Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.

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Rabinovitch, Gilad. C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.

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Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

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Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

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Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

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Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

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Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

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Haas, Petr. Sekvence a objekty, příspěvek k poznání formálních východisek spektrální hudby. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 117–138.

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Štěpánová, Martina, Kozel, David. Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.