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Kačic, Ladislav. Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 275–290.

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Perutková, Jana. Die von Questenbergschen Musikern aufgeführten Oratorien in Mähren in der 1. Hälfte des 18. Jahrhunderts. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 163–174.

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Mellace, Raffaele. From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.

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Kapsa, Václav. Die Musik in der St. Nikolauskirche auf der Prager Kleinseite in der ersten Hälfte des 18. Jahrhunderts. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 189–209.

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Zedler, Andrea, Boschung, Magdalena. "Per l'allusione alle correnti cose d'Italia" : Antonio Caldaras römische Weihnachtskantaten für Papst und Fürst. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 89–120.

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Fritz-Hilscher, Elisabeth. Die großen Oratorien-Produktionen der Tonkünstler-Societät in Wien – Kontrapunkt oder Nachfolger der höfischen Oratorienpflege des Barock?. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 211–234.

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Prominczel, Johannes. Die so genannten Sepolcri von Marc'Antonio Ziani. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 61–72.

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Perutková, Jana. Die Bedeutung der Handwerkerrechnungen und Bierdeputate für den Opernbetrieb des Jarmeritzer Schlosstheaters in der ersten Hälfte des 18. Jahrhunderts. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 3–14.

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Khokhlova, Elena. Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.

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Al Bakri, Tsonka, Mallah, Mohammed, Nuserat, Nedal. Al Adhan : documenting historical background, practice rules, and musicological features of the muslim call for prayer in Hashemite Kingdom of Jordan. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 167–185.

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Weiss, Jernej. Changes in the music scene in Slovenia after 1918. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 37–49.

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Jung, Hermann. "Che farò senza Euridice": Geschichte und Geschichten um eine berühmt gewordenen Arie Chr. W. Glucks. Musicologica Brunensia. 2015, vol. 50, iss. 1, pp. 17–29.

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Baťa, Jan. Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.

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Maňas, Vladimír. The choir lofts in the church of St. James in Brno : (between the late 15th and the 19th centuries). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 103–111.

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Leszczyńska, Agnieszka. Liturgical function and Gregorian chant in the music of Paulus Bucenus. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 91–102.

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Studeničová, Hana. Antoine und Robert de Fevin: Ihre Messen in Brünner Manuskript BAM1. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 133–143.

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Bilwachs, Jan. Die Konkordanzen der Carl Luythons Motetten Bellum insigne und Festa dies hodie. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 37–45.

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Hulková, Marta. Die Messen im Tabulaturbuch von Johann Plotz und ihre Verwendung in der Liturgie des evangelischen Gottesdienstes. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 63–77.

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Desmet, Marc. "Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 5–24.

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Papp, Ágnes. Der Tonus peregrinus in der Theorie und Praxis : eine Gegenüberstellung von spätmittelalterlicher musiktheoretischer Kompendien und Choralhandschriften. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 113–132.

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Škvařil, Lumír. Musicologically relevant sources from the manuscript collection of the parish church of St. James in Brno. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 145–153.

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Kiss, Gábor. Mixing local and regional, traditional and non-traditional elements: the case of the graduale Wladislai. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 79–90.

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Žáčková Rossi, Michaela. "...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.

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Červenka, Stanislav. Die einstimmigen lateinischen Messgesänge in der Reformations- und Gegenreformationszeit in Mähren und deren liturgischer Betrieb. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 47–61.

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Comparin, Chiara. Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.

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Pavlica, Lukáš. Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.

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Kratochvílová, Jana. Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.

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Schreurs, Eugeen. Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 129–160.

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Ratolístková, Michaela, Spáčilová, Jana. The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.

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Hulková, Marta. Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 41–60.