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Displaying 331 - 360 of 561

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.

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Šťastná, Kateřina Alexandra. Václav Jan Tomášeks Liederästhetik unter Berücksichtigung der Frage des Stils. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 117–126.

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Miháliková, Karolína. Versionen der Messe "Missa solemnis AZ VIII/1:*C2" von Anton Zimmermann. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 69–98.

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Marisi, Rossella. Muzio Clementis didaktische Werke: die Klavierschule Op. 42 und der Gradus ad Parnassum Op. 44. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 95–113.

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Hudecová, Danuta, Kalina, Petr. Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.

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Kramářová, Helena. Die Figuralmusik in Hrabyně um die Wende des 19. Jahrhunderts – Hrabiner Inventare. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 55–71.

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Slouka, Petr. Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.

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Kozel, David. Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.

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Štědroňská, Markéta. August Wilhelm Ambros und Eduard Hanslick in Wien: das Schlusskapitel einer musikästhetischen Kontroverse. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 71–83.

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Mohammad, Iyad Abdelhafeez. Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.

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Macek, Petr. Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Khokhlova, Elena. On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.

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Schachenmayr, Alkuin Volker. Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197–203.

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Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

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Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

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Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

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Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

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Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

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Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

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Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.