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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Stirton, Paul. Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.

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Secklehner, Julia. Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.

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Filipová, Marta. A world of its own? : art history in Prague. Art East Central. 2021, vol. 1, iss. 1, pp. 135–140.

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Photographic credits. Convivium. 2014, vol. 1, iss. 1, pp. 222–223.

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Bacci, Michele. The Holy Name of Jesus in Venetian-ruled Crete. Convivium. 2014, vol. 1, iss. 1, pp. 190–205.

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Benešovská, Klára, Foletti, Ivan, Romano, Serena. Circulation as a factor of cultural aggregation: an introduction. Convivium. 2014, vol. 1, iss. 1, pp. 17–18.

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Foletti, Ivan. From Nikodim Kondakov to Seminarium Kondakovianum and to Convivium. Convivium. 2014, vol. 1, iss. 1, pp. 0–XI.

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Mezzacasa, Manlio Leo. Circulation in Venetian Medieval goldsmiths' art: three case studies between Venice and the Adriatic. Convivium. 2014, vol. 1, iss. 1, pp. 176–189.

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Beckerman, Michael. Garlic Soup and Zimmermann's Festschrift. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 37–40.

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Dell'Acqua, Francesca. Beyond human grasp: the funeral of the Virgin on the "Wirksworth Stone" (Derbyshire). Convivium. 2021, vol. 8, iss. 1, pp. 72–101.

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Palladino, Adrien. Herbert L. Kessler : a visionary interpreter of medieval visual culture. Convivium. 2021, vol. 8, iss. 1, pp. 241–249.