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Displaying 1501 - 1530 of 1664
Article
Shurma, Svitlana, Kornienko, Nelly.
Interview with Nelly Kornienko. Theatralia. 2020, vol. 23, iss. 1, pp. 157–161.
Article
Schmid, Herta.
Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich. Theatralia. 2020, vol. 23, iss. 1, pp. 44–53.
Article
Rogošić, Višnja.
100 years of Croatian set design and costume design 1909‒2009. Theatralia. 2014, vol. 17, iss. 2, pp. 227–229.
Article
Havlíčková Kysová, Šárka.
A fresh approach to old issues. Theatralia. 2014, vol. 17, iss. 2, pp. 241–243.
Article
Příhodová, Barbora.
Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting. Theatralia. 2014, vol. 17, iss. 2, pp. 191–222.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
Article
Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
Article
Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
Article
Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
Article
Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
Article
Földváry, Kinga.
Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.
Article
Volceanov, George.
Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.
Article
Pikli, Natália.
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 65–82.
Article
Almási, Zsolt, Földváry, Kinga.
Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.
Article
Fabiszak, Jacek.
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 139–150.
Article
Wild, Jana.
Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.
Article
Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
Article
Cinpoeş, Nicoleta.
Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.
Article
Havlíčková Kysová, Šárka.
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.
Article
Müller, Péter.
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
Article
Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
Article
Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
Article
Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.