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Jochymczyk, Maciej. Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.

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Freemanová, Michaela. Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.

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Jeż, Tomasz. Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.

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Mellace, Raffaele. From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.

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Khokhlova, Elena. Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.

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Lidova, Maria. Maria Regina : transformations of an early Byzantine image in late eighth-century Rome. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 136–153.

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Photographic credits. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 238–239.

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Mainoldi, Ernesto Sergio. The Representation of Sacred Royalty in the codices of Charles the Bald and the Furtherance of Romanness in the Late Carolingian Age. Convivium. 2020, vol. 7, iss. Supplementum [2], pp. 50–69.

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Ivanovici, Vladimir. The prison of the mind : growing up with myths in Communist Romania. Convivium. 2017, vol. 4, iss. 1, pp. 128–141.

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Burnichioiu, Ileana. Concepts distorted by ideologies : a view on m medieval "Romanian" art (1945–1989). Convivium. 2017, vol. 4, iss. 1, pp. 104–127.

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Benešovská, Klára. Charles IV 1978–2016 : reviewing the ideological background of the exhibitions and conferences in 1978. Convivium. 2017, vol. 4, iss. 1, pp. 158–173.

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Barral i Altet, Xavier, Foletti, Ivan. Medieval art history in prison. Convivium. 2017, vol. 4, iss. 1, pp. 10–14.

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Lovino, Francesco. Communism vs. Seminarium Kondakovianum. Convivium. 2017, vol. 4, iss. 1, pp. 142–157.

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Photographic credits. Convivium. 2017, vol. 4, iss. 1, pp. 174–175.

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Aguirre, Mariana. From imitazione to creazione : Lionello Venturi, medieval art, and Fascism. Convivium. 2017, vol. 4, iss. 1, pp. 88–103.

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Bacci, Michele. The New Zion of Ot'kht'a. Convivium. 2022, vol. 9, iss. 1, pp. 28–51.

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Lešák, Martin F.. Transforming a desert, claiming the domain : the early medieval landscape of Conques. Convivium. 2022, vol. 9, iss. 1, pp. 148–167.

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Panicco, Alessandra. The medieval origins of the Carthusian landscape in Piedmont : (twelfth–fourteenth centuries). Convivium. 2022, vol. 9, iss. 1, pp. 130–147.

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Photographic credits. Convivium. 2022, vol. 9, iss. 1, pp. 186.

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Studer-Karlen, Manuela. The pictorial compositions on the Cross Stelae in Georgia : (fifth–ninth centuries). Convivium. 2022, vol. 9, iss. 1, pp. 52–73.

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Palladino, Adrien. Dynamics of medieval landscape : measure, environment, conversion. Convivium. 2022, vol. 9, iss. 1, pp. 13–26.

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Kessler, Herbert L., Romano, Serena. A hub of art : in, out, and around Venice, 1177–1499 : introduction. Convivium. 2020, vol. 7, iss. 1, pp. 17–51.

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Photographic credits. Convivium. 2020, vol. 7, iss. 1, pp. 178–179.

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Bacci, Michele. Greek Madonnas and Venetian fashion. Convivium. 2020, vol. 7, iss. 1, pp. 152–177.

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Dunlop, Anne. Mongol Eurasia in the Trecento Veneto. Convivium. 2020, vol. 7, iss. 1, pp. 114–135.

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Geymonat, Ludovico V., Lazzarini, Lorenzo. A Nativity cycle for the choir screen of San Marco, Venice. Convivium. 2020, vol. 7, iss. 1, pp. 80–113.