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Displaying 661 - 690 of 976
Article
Virdis, Alberto.
Fragmentation as a visual principle : from Cloisonné to early stained glass. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 78–97.
Article
Meinecke, Katharina.
Ornamental surfaces : a "global trend" in late antique Afro-Eurasia. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 98–117.
Article
Aimone, Marco.
Two Byzantine capitals "with pine cones at their corners" and their monograms : technical, stylistic, and historical observations. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 120–137.
Book
Frantová, Zuzana.
Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014
Book
Drábek, Pavel.
Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010
Article
Bartlová, Milena.
[Úvod k nové rubrice Diskuse]. Opuscula historiae artium. 2010, vol. 59 [54], iss. 1-2, pp. 100.
Article
Jakubec, Ondřej, Suchánek, Pavel.
Editorial. Opuscula historiae artium. 2019, vol. 68, iss. 2, pp. 196–199.
Article
Adámková, Iva.
Discussion on the nature of the decoration of the liturgical space in the 12th century and the concept of the senses. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 2–17.
Article
Vyskupová, Martina.
Rex femina in the portrait presentation of Maria Theresa as the Queen of Hungary. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 40–55.
Article
Zapletalová, Jana.
The Florentine painter Giovanni Battista Ghidoni and his work in Tuscany and Moravia. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 18–39.
Article
Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
Article
Pšenička, Martin.
Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.
Article
Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
Article
Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
Article
Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
Article
Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.
Article
Přidalová, Jana.
Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
Article
Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
Article
Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
Article
Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
Article
Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
Article
Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.