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Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Kubart, Tomáš. Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.

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Gočálová, Zdenka. Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.

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Bernátek, Martin, Sosnowska, Dorota. Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.

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Lánská, Dita. Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Drábek, Pavel. Bakhtin and theatre?. Theatralia. 2016, vol. 19, iss. 2, pp. 152–155.

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Ciesielski, Tomasz. Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.

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Havlíčková Kysová, Šárka, Kačer, Tomáš. Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.

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Drábek, Pavel. Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.

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Kašparová, Barbora. Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.

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Bulandrová, Amálie. Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.

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Konývková, Tereza, Arntzen, Knut Ove. Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.

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Vodička, Libor. The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.

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Jochmanová, Andrea. Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.

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Sajewska, Dorota, Sosnowska, Dorota. Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.

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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.