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Displaying 301 - 330 of 346

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Jovanović, Nenad. Playing for and against the microphone : the theatrical soundstage, the cinematic meeting interface. Theatralia. 2023, vol. 26, iss. 1, pp. 11–28.

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Meerzon, Yana. Playing a tyrant – rethinking an autocrat in Asya Voloshina's Antigona: Redukciia. Theatralia. 2023, vol. 26, iss. 1, pp. 29–54.

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Reuss, Gabriella. In search of the 'real Shakespeare' : Sándor Hevesi's Taming of the Shrew in 1923, Budapest. Theatralia. 2023, vol. 26, iss. 1, pp. 55–81.

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Havlíčková Kysová, Šárka. Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 82–100.

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Revermann, Martin, Kotsovilis, Spyridon. Theatre and pedagogy : adapting Euripides' Trojan Women and the political science classroom. Theatralia. 2023, vol. 26, iss. 1, pp. 101–107.

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Jovanović, Nenad. Liveness and its pandemical other. Theatralia. 2023, vol. 26, iss. 1, pp. 109–113.

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Havlíčková Kysová, Šárka. Acting method as an (embodied) worldview. Theatralia. 2023, vol. 26, iss. 1, pp. 115–117.

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Drábek, Pavel. PQ 2023 is inviting you! : PQ Best Publication Award in Performance Design & Scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 118–121.

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Šlaisová, Eva. The diaries of Jindřich Honzl: 1912–1952. Theatralia. 2023, vol. 26, iss. 1, pp. 123–137.

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Autoři. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 157–160.

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Rostinsky, Joseph N.. Conceptual models and symbolic perception in Japanese gay text. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 143–149.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Zálešáková, Tereza. Much ado about Disney?. Theatralia. 2019, vol. 22, iss. 1, pp. 126–128.

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Březinová, Helena. Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.

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Stehlíková, Karolína, Černík, Zbyněk. Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.

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Sosnowska, Dorota. Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.

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Holmberg, Jan. Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.

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Tóthová, Kristína. Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Stehlíková, Karolína. Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.

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Solčániová, Ivona. Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Stehlíková, Karolína, Holmberg, Jan. Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.

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Stehlíková, Karolína. The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.

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Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.