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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Dobozy, Tamas, Blake, Jason. "Flavours of meaning" : an interview with Tamas Dobozy. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 5–9.

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Kürtösi, Katalin, Gadpaille, Michelle, Blake, Jason, Kyloušek, Petr, Staines, David, Rau, Albert. Don Sparling at 80. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 11–17.

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Gadpaille, Michelle. Pandemic, prophecy, and politics in Mary Shelley and Emily St John Mandel. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 19–38.

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Szamosi, Gertrud. Exploring the transnational in Shauna Singh Baldwin's We Are Not in Pakistan. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 51–61.

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Kováč, Stanislav. Perceptions and misperceptions of Canadian realia among Slovak students of English. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 63–76.

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Deirani, Rasha. Hyphenated identities : integration and belonging in Korean-Canadian narratives. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 77–87.

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Greilinger, Szonja. Translating Carleigh Baker's "Last Woman". The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 101–112.

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Devine, Michael. A post-colonial Canadian in Cairo and Kraljevo : theatre, interculturality and politics in BoxWhatBox 2023. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 113–122.

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Kodó, Krisztina. [Taylor, Drew Hayden (ed.). Me tomorrow: indigenous views on the future]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 123–125.

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Blake, Jason. [Moore, Lisa (ed.). Best Canadian stories 2024]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 127–131.

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Majcen Linn, Olga. The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.

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Pšenička, Martin. Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.

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Sládek, Ondřej. Jan Mukařovský and theatre. Theatralia. 2014, vol. 17, iss. 2, pp. 122–136.

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Schmid, Herta. Jiří Veltruský revisited. Theatralia. 2014, vol. 17, iss. 2, pp. 96–110.

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Šlaisová, Eva. The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.

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Bulandrová, Amálie. The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.

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Přidalová, Jana. Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.

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Černický, Viktor. Indie scéna nezávislá od hudby. Theatralia. 2014, vol. 17, iss. 1, pp. 151–179.

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Žáková, Anna. Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade. Theatralia. 2018, vol. 21, iss. 1, pp. 71–88.

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Černický, Viktor. Aktéri a diváci verejných udalostí. Theatralia. 2014, vol. 17, iss. 1, pp. 259–264.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.