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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.

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Drábek, Pavel. Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.

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Turzíková, Tereza. In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Adámková, Iva. Discussion on the nature of the decoration of the liturgical space in the 12th century and the concept of the senses. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 2–17.

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Vyskupová, Martina. Rex femina in the portrait presentation of Maria Theresa as the Queen of Hungary. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 40–55.

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Zapletalová, Jana. The Florentine painter Giovanni Battista Ghidoni and his work in Tuscany and Moravia. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 18–39.

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Graeco-Latina Brunensia. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 292–[293].

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Švachová, Romana. How to '(not) Arrive': Hélène Cixous's and Sara Stridsberg's drama vs. appropriation. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 125–136.

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Jurkovičová, Alžbeta. Don't sell tobacco to Dante: scribbled images of Tage Danielsson's Inferno. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 105–124.

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Šebek, Josef. Social space, physical space, representation of space: spatiality and Bourdieu's theory of the literary field. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 7–21.

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Lughofer, Johann Georg. Poetry Slam: heterogen und mehrsprachig im literarischen Feld. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 63–76.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Havlíčková Kysová, Šárka. Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.

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Mikyšková, Anna, Škrobánková, Klára. The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.

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Braga Riera, Jorge. Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Cetera-Włodarczyk, Anna, Pożar, Przemysław. Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.