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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Doležalová, Barbora. Martin Crimp: dramatik překladatelem, překladatel adaptátorem. Theatralia. 2012, vol. 15, iss. 1, pp. 214–226.

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Musilová, Martina. Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.

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[Contents of the section Archive]. Theatralia. 2014, vol. 17, iss. 2, pp. 173–[174].

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Kačer, Tomáš. Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.

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Pérez-Simón, Andrés. Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.

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Drábek, Pavel. Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.

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Ambros, Veronika. Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.

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[Contents of the section Yorick]. Theatralia. 2014, vol. 17, iss. 2, pp. 11–[12].

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Kubart, Tomáš. O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.

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Meerzon, Yana. Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.

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Kostihová, Marcela. In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.

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Kačer, Tomáš, Příhodová, Barbora. Editorial. Theatralia. 2014, vol. 17, iss. 2, pp. 5–6.

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Sakellaridou, Elizabeth. Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.

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Satková, Naďa. "Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.

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Bernátek, Martin. The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.

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[Contents of the section Events]. Theatralia. 2014, vol. 17, iss. 2, pp. 245–[246].

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Drábek, Pavel. Hastábhinaja: gesta rukou v tradičním divadelním umění Indie. Theatralia. 2014, vol. 17, iss. 2, pp. 225–226.

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[Contents of the section Orientation]. Theatralia. 2014, vol. 17, iss. 2, pp. 223–[224].

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Földváry, Kinga. Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.