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Displaying 271 - 300 of 329
Article
van Hensbergen, Claudine.
The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.
Article
Kubart, Tomáš.
Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.
Article
Shurma, Svitlana, Lu, Wei-lun.
A cognitive poetic analysis of LIFE and DEATH in English and Ukrainian: a multiple-parallel-text approach to Hamlet's soliloquy. Theatralia. 2016, vol. 19, iss. 2, pp. 9–28.
Article
Gočálová, Zdenka.
Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.
Article
Kubart, Tomáš.
Art of action of 1960s and 1970s in the 20th century and its documentation in the permanent exhibition of the National Gallery – commented tour with Pavlína Morganová. Theatralia. 2016, vol. 19, iss. 2, pp. 161–163.
Article
Bernátek, Martin, Sosnowska, Dorota.
Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.
Article
Lánská, Dita.
Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.
Article
Vodička, Libor.
Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.
Article
Havlíčková Kysová, Šárka.
Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition. Theatralia. 2016, vol. 19, iss. 2, pp. 29–58.
Article
Ciesielski, Tomasz.
Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.
Article
Havlíčková Kysová, Šárka, Kačer, Tomáš.
Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.
Article
Drábek, Pavel.
Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.
Article
Kašparová, Barbora.
Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.
Article
Bulandrová, Amálie.
Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.
Article
Konývková, Tereza, Arntzen, Knut Ove.
Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.
Article
Vodička, Libor.
The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.
Article
Jochmanová, Andrea.
Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.
Article
Sajewska, Dorota, Sosnowska, Dorota.
Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.
Article
Lazorčáková, Tatjana.
Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.
Article
Motal, Jan.
Cognitive phenomenology: the promising pragmatic marriage of methodologies in the field of theatre studies?. Theatralia. 2016, vol. 19, iss. 2, pp. 59–75.
Article
Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.
Article
Daníčková, Eva.
Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.
Article
Blecha, Jaroslav.
The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.
Article
Drábek, Pavel.
Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.
Article
Billing, Christian M..
Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.
Article
Chryssouli, Georgia.
Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.
Article
Lech, Kasia.
Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.