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Displaying 31 - 60 of 329

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Kubart, Tomáš. Günter Brus: a walk through totality. Theatralia. 2022, vol. 25, iss. 2, pp. 15–40.

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Sosnowska, Dorota. Blasted 1999 : Sarah Kane's body against the archive. Theatralia. 2022, vol. 25, iss. 2, pp. 41–61.

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Reuss, Gabriella. In search of the 'real Shakespeare' : Sándor Hevesi's Taming of the Shrew in 1923, Budapest. Theatralia. 2023, vol. 26, iss. 1, pp. 55–81.

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Havlíčková Kysová, Šárka. Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 82–100.

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Revermann, Martin, Kotsovilis, Spyridon. Theatre and pedagogy : adapting Euripides' Trojan Women and the political science classroom. Theatralia. 2023, vol. 26, iss. 1, pp. 101–107.

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Jovanović, Nenad. Liveness and its pandemical other. Theatralia. 2023, vol. 26, iss. 1, pp. 109–113.

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Havlíčková Kysová, Šárka. Acting method as an (embodied) worldview. Theatralia. 2023, vol. 26, iss. 1, pp. 115–117.

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Drábek, Pavel. PQ 2023 is inviting you! : PQ Best Publication Award in Performance Design & Scenography. Theatralia. 2023, vol. 26, iss. 1, pp. 118–121.

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Šlaisová, Eva. The diaries of Jindřich Honzl: 1912–1952. Theatralia. 2023, vol. 26, iss. 1, pp. 123–137.

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Jochmanová, Andrea. Archive of costume designer Inez Tuschnerová. Theatralia. 2023, vol. 26, iss. 1, pp. 138–151.

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Theatralia. 2009–

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Mikulová, Iva. Karel Novák : theatre director (1916–1968) : summary. In: Mikulová, Iva. Divadelní režisér Karel Novák (1916–1968). 2017, pp. 231–233.

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Foellmer, Susanne. The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.

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Bernátek, Martin. Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.

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Čiripová, Dáša. Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.

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Kubina, Lukáš. Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.

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Kolařík, Aleš. Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.

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Havlíčková Kysová, Šárka. Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.

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Turzíková, Tereza. Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.

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Woollard, Jane. My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.

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Veselovska, Hanna, Ruban, Viktor. Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Brenna, Dwayne. "Rapturously Encored" : R.B. Nevitt's account of NWMP theatricals at Fort Macleod. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2004, vol. 53, iss. Q7, pp. 127–136.