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Saei Dibavar, Sara, Abbasi, Pyeaam, Pirnajmuddin, Hossein. J. M. Coetzee’s Foe : a narrative of dislocation through assimilation . Brno studies in English. 2022, vol. 48, iss. 1, pp. 201–218.

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Brno studies in English. Brno studies in English. 2022, vol. 48, iss. 1, pp. 219.

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Foellmer, Susanne. The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.

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Bernátek, Martin. Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.

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Čiripová, Dáša. Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.

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Kubina, Lukáš. Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.

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Kolařík, Aleš. Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.

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Havlíčková Kysová, Šárka. Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.

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Turzíková, Tereza. Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.

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Woollard, Jane. My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.

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Veselovska, Hanna, Ruban, Viktor. Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.

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Doctorow, Cory. #9. In: Drápela, Martin. Sbírka textů k předmětu Úvod do syntaxe. 2014, pp. 107–115.

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Doctorow, Cory. #1. In: Drápela, Martin. Sbírka textů k předmětu Úvod do syntaxe. 2014, pp. 7–20.

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Doctorow, Cory. #2. In: Drápela, Martin. Sbírka textů k předmětu Úvod do syntaxe. 2014, pp. 21–38.

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Hochmanová, Dita. Introduction. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 7–16.

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Hochmanová, Dita. Joseph Andrews and the problem of decorum. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 17–33.

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Hochmanová, Dita. Amelia and the limits of empathy. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 61–85.

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Hochmanová, Dita. Conclusion. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 87–89.

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Hochmanová, Dita. References. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 95–99.

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Hochmanová, Dita. Tom Jones and the right measure of self-interest. In: Hochmanová, Dita. Henry Fielding between satire and sentiment : politeness and masculinity in eighteenth-century Britain. 2023, pp. 35–60.

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Žárská, Lenka. Translation of language varieties in the Flemish dubbing of Harry Potter and the Prizoner of Azkaban. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 23–34.

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Čapek, Jan, Plevíková, Ivana. The foresight in hindsight : the new pathways in North American Studies conference report. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 113–122.

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Brenna, Dwayne. "Rapturously Encored" : R.B. Nevitt's account of NWMP theatricals at Fort Macleod. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2004, vol. 53, iss. Q7, pp. 127–136.

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Day, Moira. Women and the Western Canadian theatre 1918-1960. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2005, vol. 54, iss. Q8, pp. 185–195.