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Jurík, Mirón. Gothic Christians in Constantinople in 4th and 5th century: the Nicene Christians and Christianization. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 99–116.

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Stehlíková, Dana. A recently discovered Regimen sanitatis by Guillem de Béziers from 1319. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 247–277.

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Fernández, Claudia Nelida. Chremylus encounters Blepsidemus: the first quiproquo? (Aristophanes' Wealth 332–414). Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 67–82.

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Blažek, Václav. Latin Tetrica in etymological perspective. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 5–24.

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Kárpáti, András. The weapon of mousikē in Euripides' Cyclops. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 149–165.

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Pruša, Libor. Ctesias in the Achaemenid Persia?. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 211–224.

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Pagkalos, Manolis E.. Sulla and the practices of anchoring in political discourse: cultural memory and the use of symbols in Roman Athens. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 193–210.

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Graeco-Latina Brunensia. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 292–293.

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Seres, Dániel. Argumentation in Demosthenes's speech Against Timocrates. Graeco-Latina Brunensia. 2021, vol. 26, iss. 2, pp. 225–246.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.

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Földváry, Kinga. Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.