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Klein, Pavel. Secesní repertoár Les Ballets Russes jako východisko vizuální podoby jeviště. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 30–49.

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Mikulová, Iva. Editorial. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 7–9.

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Studia philosophica, 2019, vol. 66, issue 1.

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Čumba, Ladislav. Vzpomínka na Pavla Kleina. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 91–92.

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Christov, Petr. Symbol jako životní styl. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 95–96.

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Čiripová, Dáša. Boj solitérov v umení aj živote. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 102–104.

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Valentová, Veronika. Vzpomínka. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 101.

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Přehled předmětů vyučovaných Pavlem Kleinem na JAMU. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 73–74.

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Stehlíková, Eva. Smuteční řeč. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 82–83.

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Kšicová, Danuše. První české zpracování vstupu ruského baletu do Paříže. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 77–79.

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Klein, Pavel. Boží duha v Divadle U stolu : rekonstrukce inscenačních postupů. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 50–59.

Issue

Studia philosophica, 2011, vol. 58, issue 1.

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Kšicová, Danuše. Poselství Pavla Kleina. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 80–81.

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Klein, Pavel. Svatá krev Z. N. Gippiusové : symbolická struktura hry. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 21–29.

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Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Kubart, Tomáš. Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.

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Shurma, Svitlana, Lu, Wei-lun. A cognitive poetic analysis of LIFE and DEATH in English and Ukrainian: a multiple-parallel-text approach to Hamlet's soliloquy. Theatralia. 2016, vol. 19, iss. 2, pp. 9–28.

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Gočálová, Zdenka. Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.

Issue

Studia philosophica, 2018, vol. 65, issue 1-2.

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Kubart, Tomáš. Art of action of 1960s and 1970s in the 20th century and its documentation in the permanent exhibition of the National Gallery – commented tour with Pavlína Morganová. Theatralia. 2016, vol. 19, iss. 2, pp. 161–163.

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Bernátek, Martin, Sosnowska, Dorota. Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.

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Lánská, Dita. Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Drábek, Pavel. Bakhtin and theatre?. Theatralia. 2016, vol. 19, iss. 2, pp. 152–155.

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Havlíčková Kysová, Šárka. Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition. Theatralia. 2016, vol. 19, iss. 2, pp. 29–58.

Issue

Studia philosophica, 2019, vol. 66, issue 2.

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Ciesielski, Tomasz. Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.

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Havlíčková Kysová, Šárka, Kačer, Tomáš. Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.

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Drábek, Pavel. Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.

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Kašparová, Barbora. Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.