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Mareček, Luboš. Autorsky rozeklaný portrét dvojčat. Theatralia. 2021, vol. 24, iss. 1, pp. 291–294.

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Turzíková, Tereza. In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.

Issue

Studia philosophica, 2017, vol. 64, issue 2.

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Klein, Pavel. Secesní repertoár Les Ballets Russes jako východisko vizuální podoby jeviště. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 30–49.

Article

Mikulová, Iva. Editorial. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 7–9.

Issue

Studia philosophica, 2019, vol. 66, issue 1.

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Čumba, Ladislav. Vzpomínka na Pavla Kleina. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 91–92.

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Christov, Petr. Symbol jako životní styl. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 95–96.

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Čiripová, Dáša. Boj solitérov v umení aj živote. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 102–104.

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Valentová, Veronika. Vzpomínka. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 101.

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Přehled předmětů vyučovaných Pavlem Kleinem na JAMU. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 73–74.

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Stehlíková, Eva. Smuteční řeč. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 82–83.

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Kšicová, Danuše. První české zpracování vstupu ruského baletu do Paříže. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 77–79.

Article

Klein, Pavel. Boží duha v Divadle U stolu : rekonstrukce inscenačních postupů. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 50–59.

Issue

Studia philosophica, 2011, vol. 58, issue 1.

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Kšicová, Danuše. Poselství Pavla Kleina. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 80–81.

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Klein, Pavel. Svatá krev Z. N. Gippiusové : symbolická struktura hry. Theatralia. 2017, vol. 20, iss. 2, Supplementum, pp. 21–29.

Article

Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Kubart, Tomáš. Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.

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Shurma, Svitlana, Lu, Wei-lun. A cognitive poetic analysis of LIFE and DEATH in English and Ukrainian: a multiple-parallel-text approach to Hamlet's soliloquy. Theatralia. 2016, vol. 19, iss. 2, pp. 9–28.

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Gočálová, Zdenka. Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.

Issue

Studia philosophica, 2018, vol. 65, issue 1-2.

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Kubart, Tomáš. Art of action of 1960s and 1970s in the 20th century and its documentation in the permanent exhibition of the National Gallery – commented tour with Pavlína Morganová. Theatralia. 2016, vol. 19, iss. 2, pp. 161–163.

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Bernátek, Martin, Sosnowska, Dorota. Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.

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Lánská, Dita. Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Drábek, Pavel. Bakhtin and theatre?. Theatralia. 2016, vol. 19, iss. 2, pp. 152–155.

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Havlíčková Kysová, Šárka. Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition. Theatralia. 2016, vol. 19, iss. 2, pp. 29–58.