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Billing, Christian M.. Review of The Puppet and the Modern. Theatralia. 2015, vol. 18, iss. 2, pp. 466–470.

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Jirásková, Marie, Jirásek, Pavel. Puppet cabaret: visual idioms, performance technologies and the poetics of Czech special puppets in a European context 1850–1950 : (from artistic automata through trick and variety puppets, to puppet cabaret and variety show clowns and acrobats). Theatralia. 2015, vol. 18, iss. 2, pp. 70–134.

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Jirásek, Pavel. Josef Skupa: the birth of a modern artist. Theatralia. 2015, vol. 18, iss. 2, pp. 168–230.

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Billing, Christian M., Drábek, Pavel. Czech puppet theatre in global contexts: roots, theories and encounters. Theatralia. 2015, vol. 18, iss. 2, pp. 5–31.

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Drábek, Pavel. Review of The Routledge Companion to Puppetry and Material Performance. Theatralia. 2015, vol. 18, iss. 2, pp. 471–476.

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Marková, Sylva. Review of Talking Scenography: Conversations between Jarka Burian and Josef Svoboda. Theatralia. 2015, vol. 18, iss. 2, pp. 481–484.

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Drábek, Pavel. A Great German Pickelhäring and a Beheaded Virgin Saint. Theatralia. 2015, vol. 18, iss. 2, pp. 499–502.

Issue

Opera Slavica, 1994, vol. 4, issue 1.

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Drábek, Pavel. Review of How Theatre Means. Theatralia. 2015, vol. 18, iss. 2, pp. 493–498.

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North, Dan. Forgotten toyhood. Theatralia. 2015, vol. 18, iss. 2, pp. 329–346.

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Pecková Černá, Martina. List of puppetry exhibitions by Czech organisers in the Czech Republic and abroad 1989–2015. Theatralia. 2015, vol. 18, iss. 2, pp. 429–459.

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Novak, Agnès, Petráň, Dušan. Backstage and on tour with Yorick's Marionettes. Theatralia. 2015, vol. 18, iss. 2, pp. 387–414.

Issue

Opera Slavica, 2011, vol. 21, issue 2.

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Lešková Dolenská, Kateřina. Czech puppet theatre dramaturgy as a specific phenomenon. Theatralia. 2015, vol. 18, iss. 2, pp. 231–276.

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Brandesky, Joseph E.. Stasis and Flux: Czech puppet culture in Columbus, Ohio (Winter/Spring 2013). Theatralia. 2015, vol. 18, iss. 2, pp. 415–428.

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Bernátek, Martin. The Renaissance of Czech puppetry and the cinema. Theatralia. 2015, vol. 18, iss. 2, pp. 135–167.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

Issue

Opera Slavica, 2000, vol. 10, issue 2.

Article

Maryška, Martin. Výzkum ve stádiu utváření. Theatralia. 2020, vol. 23, iss. 1, pp. 178–183.

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Meerzon, Yana. The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Kačer, Tomáš, Shurma, Svitlana. Editorial. Theatralia. 2020, vol. 23, iss. 1, pp. 7–11.

Issue

Opera Slavica, 2009, vol. 19, issue 3.

Article

Turzíková, Tereza. On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.