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Rozwalka, Zuzana. Zeyerův "kjógen" Lásky div. Theatralia. 2019, vol. 22, iss. 2, pp. 169–193.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Havlíčková, Margita, Neuhuber, Christian, Škrobánková, Klára. Das vielsprachige Theater Tschechiens in der Frühen Neuzeit : Vorwort, Editorial. Theatralia. 2019, vol. 22, iss. 2, pp. 7–11.

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Lukáš, Miroslav. Das Theater zur Zeit des Fürsten Leopold Ignaz von Dietrichstein. Theatralia. 2019, vol. 22, iss. 2, pp. 93–106.

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Perregaard, Bettina. The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

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Merenus, Aleš. Slovník moderního českého dramatu. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 9–12.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.

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Merenus, Aleš. Seznam použitých zkratek. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 69–70.

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Stehlíková, Eva. The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.

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Havlíčková, Margita, Blecha, Jaroslav. Rozhovor s Jaroslavem Blechou. Theatralia. 2019, vol. 22, iss. 2, pp. 221–229.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Krajník, Filip, Drábek, Pavel, Drozd, David, Mikyšková, Anna, Škrobánková, Klára. Prolegomena k projektu Anglická divadelní kultura 1660–1737. Theatralia. 2019, vol. 22, iss. 2, pp. 270–273.

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Bulandrová, Amálie. Pražské Quadriennale scénografie a divadelního prostoru : Imaginace, transformace, reflexe. Theatralia. 2019, vol. 22, iss. 2, pp. 257–266.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Solčániová, Ivona. Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.

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Sosnowska, Dorota. Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Havlíčková Kysová, Šárka. Performativita – výlučná schopnost člověka. Theatralia. 2019, vol. 22, iss. 2, pp. 243–245.

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Spáčilová, Jana. Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts. Theatralia. 2019, vol. 22, iss. 2, pp. 123–136.

Book
Bachhofer, Heidemarie, Bayard, Frank, Denk, Ulrike, Elbel, Petr, Haidacher, Christoph, Hammer-Luza, Elke, Hutterer, Herbert, Just, Thomas, Kollermann, Karl, Mikoletzky, Juliane, Penz, Helga, Pils, Susanne Claudine, Rosner, Willibald, Schuster, Walter, Seitschek, Stefan, Stögmann, Arthur, Štouračová, Jiřina, Tepperberg, Christoph, Tolloi, Philipp, Uslu-Pauer, Susanne, Wiesflecker, Peter. Österreichische Archive : Geschichte und Gegenwart. 2019

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Bulandrová, Amálie. Ohlédnutí za několika scénografickými publikacemi. Theatralia. 2019, vol. 22, iss. 2, pp. 231–242.