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Displaying 121 - 150 of 317

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Drábek, Pavel. Plats and plays. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 61–80.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Sakellaridou, Elizabeth. Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Brandesky, Joseph E.. Permanent interaction: reflections on the paintings and designs of Jaroslav Malina. Theatralia. 2011, vol. 14, iss. 1, pp. 228–243.

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Sosnowska, Dorota. Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Kubina, Lukáš. Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.

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Stehlíková, Eva. Payment on debt. Theatralia. 2012, vol. 15, iss. 2, pp. 187–188.

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Kačer, Tomáš. Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.

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Koblišková, Zuzana. Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pšenička, Martin. Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.

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Kubart, Tomáš. O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Turzíková, Tereza. On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Škrobánková, Klára. Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.

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Notes on contributors. Theatralia. 2011, vol. 14, iss. 1, pp. 5–8.

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Havlíčková Kysová, Šárka. Nicola Savarese. Eurasian theatre: drama and performance between East and West from classical antiquity to the present. Theatralia. 2012, vol. 15, iss. 2, pp. 211–219.

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Bernátek, Martin. New book on the Czech avant-garde theatre. Theatralia. 2023, vol. 26, iss. 2, pp. 239–247.

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Bartošová, Lada. The National Theatre Ballets of František Zelenka. Theatralia. 2011, vol. 14, iss. 1, pp. 147–172.

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Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Woollard, Jane. My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.

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Sládek, Ondřej. Jan Mukařovský and theatre. Theatralia. 2014, vol. 17, iss. 2, pp. 122–136.

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Drábek, Pavel. Modern stage conventions of realism : a defence of mimetic inconsistencies. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 27–40.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.