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Displaying 241 - 270 of 317
Article
Malíková, Nina.
Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?. Theatralia. 2015, vol. 18, iss. 2, pp. 347–383.
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Lešková Dolenská, Kateřina.
Czech puppet theatre dramaturgy as a specific phenomenon. Theatralia. 2015, vol. 18, iss. 2, pp. 231–276.
Article
Couch, Nena.
Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
Article
Marková, Sylva.
Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.
Chapter
Drábek, Pavel.
Contents. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 5.
Article
Ciesielski, Tomasz.
Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
Article
Meerzon, Yana.
Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.
Article
Schmid, Herta.
The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.
Article
Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
Article
Rostinsky, Joseph N..
Conceptual models and symbolic perception in Japanese gay text. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 143–149.
Article
Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
Article
Motal, Jan.
Cognitive phenomenology: the promising pragmatic marriage of methodologies in the field of theatre studies?. Theatralia. 2016, vol. 19, iss. 2, pp. 59–75.
Article
Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
Article
Uličný, Petr.
Christ in motion: portable objects and scenographic environments in the liturgy of medieval Bohemia. Theatralia. 2011, vol. 14, iss. 1, pp. 24–64.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
Article
Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
Article
Bernátek, Martin.
Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.
Article
Krpič, Tomaž.
Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.
Article
Hain, Milan.
Broadway in Hollywood: film producer David O. Selznick and his theatrical ties in the 1940s. Theatralia. 2023, vol. 26, iss. 2, pp. 157–174.
Article
Bernátek, Martin, Pavlišová, Jitka.
Bodies in archival situations : editorial. Theatralia. 2022, vol. 25, iss. 2, pp. 7–13.