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Vodička, Libor. Dílo, nad nímž je možné se hodně naučit. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2008, vol. 57, iss. Q11, pp. 177–179.

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Stehlíková, Karolína. Dialogy králíka s koněm : ke spolupráci překladatele a inscenačního týmu. Theatralia. 2012, vol. 15, iss. 1, pp. 102–112.

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Stehlíková, Eva. Denisa Václavová, Tomáš Žižka a kol. Site specific. Theatralia. 2009, vol. 12, iss. 1-2, pp. 135.

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Musilová, Martina. Dekompozičné princípy v inscenačnej tvorbe. Theatralia. 2017, vol. 20, iss. 2, pp. 143–144.

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Gregorová, Barbara. Ivo de Figueiredo – Henrik Ibsen: Člověk a maska. Theatralia. 2016, vol. 19, iss. 1, pp. 311–316.

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Horáková, Jana. Datatransfer : 1. ročník mezinárodního festivalu kyberkultury v Praze. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2002, vol. 51, iss. Q5, pp. 117–119.

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Guniš, Richard. Das Märchen vom ersten Opfer. Theatralia. 2023, vol. 26, iss. 2, pp. 255–259.

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Drábek, Pavel. Další dvojskvost z Kabinetu pro studium českého divadla IU-DÚ. Theatralia. 2016, vol. 19, iss. 1, pp. 306–307.

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Ceballosová, Sylva. Dadaisté na jevišti : (dadaismus a jeho divadelní podoby). Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická. 2003, vol. 52, iss. Q6, pp. 19–29.

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Malíková, Nina. Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?. Theatralia. 2015, vol. 18, iss. 2, pp. 347–383.

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Billing, Christian M., Drábek, Pavel. Czech puppet theatre in global contexts: roots, theories and encounters. Theatralia. 2015, vol. 18, iss. 2, pp. 5–31.

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Lešková Dolenská, Kateřina. Czech puppet theatre dramaturgy as a specific phenomenon. Theatralia. 2015, vol. 18, iss. 2, pp. 231–276.

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Couch, Nena. Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.

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Plautus. Curculio aneb Darmojed. Theatralia. 2018, vol. 21, iss. 2, pp. 237–267.

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Peňázová, Dagmar, Peňáz, Petr. Čtvero zastavení?. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 1998, vol. 47, iss. Q1, pp. 161–165.

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Drábek, Pavel. Čtení cenzury bez cenzury: velkolepě o regulaci české literatury. Theatralia. 2018, vol. 21, iss. 1, pp. 219–225.

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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.

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Marková, Sylva. Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.

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[Contents of the section Yorick]. Theatralia. 2014, vol. 17, iss. 2, pp. 11–12.

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[Contents of the section Spectrum]. Theatralia. 2014, vol. 17, iss. 2, pp. 189–190.

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[Contents of the section Orientation]. Theatralia. 2014, vol. 17, iss. 2, pp. 223–224.

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[Contents of the section Events]. Theatralia. 2014, vol. 17, iss. 2, pp. 245–246.

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[Contents of the section Archive]. Theatralia. 2014, vol. 17, iss. 2, pp. 173–174.

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Contents - Obsah. Theatralia. 2022, vol. 25, iss. 2, pp. 5.

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Content - Obsah. Theatralia. 2023, vol. 26, iss. 1, pp. 5.

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Content. Theatralia. 2023, vol. 26, iss. 2, pp. 5–6.

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Ciesielski, Tomasz. Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Meerzon, Yana. Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.

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Schmid, Herta. The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.