Title: Sam and Me, Masala and Double happiness : multicultural experience in Canadian film of the early 1990s
Source document: Brno studies in English. 2007, vol. 33, iss. 1, pp. [185]-198
Extent
[185]-198
-
ISSN1211-1791
Stable URL (handle): https://hdl.handle.net/11222.digilib/104447
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The article examines the representation of multicultural experience in Canadian film of the early 1990s. Using three case studies of feature films made by Asian-Canadian filmmakers - Sam and Me (Deepa Mehta, 1991), Masala (Shrinivas Krishna, 1991), and Double Happiness (Mina Shum, 1994) - the text focuses on how up and coming minority filmmakers cinematically addressed various aspects of diasporic identity and identity formation.
References
[1] Banning, Kass (1999) 'Playing in the Light, Canadianizing Race and Nation'. In Armatage, Kay; Banning, Kass; Longfellow, Brenda; Marchessault, Janine (eds) Gendering the Nation, Canadian Women's Cinema. Toronto, Buffalo, London: University of Toronto Press.
[2] Gittings, C. E. (2001) Canadian National Cinema, Ideology, Difference and Representation. New York and London: Routledge.
[3] Krishna, Shrinivas (1991) Masala. Unpublished production notes. Toronto.
[4] Krishna, Shrinivas (1991) Masala. Unpublished script. Toronto.
[5] Levitin, J. (2002) 'Deepa Mehta as Transnational Filmmakers, or You Can't Go Home Again'. In Beard, William and White, Jerry (eds) North of Everything – English-Canadian Cinema Since 1980. Edmonton, Alberta: University of Alberta Press.
[6] Shum, M. (1994) Double Happiness. Unpublished production notes. Toronto.
[7] Waltz, Eugene P. (2002) 'Introduction: What Is Canadian Cinema?'. In Waltz, Eugene P. (ed.) Canada's Best Features: Critical Essays on 15 Canadian Films. Amsterdam and New York: Rodopi.
[8] Waugh, T. (2002) 'Home is not the place one has left or Masala as 'a multicultural culinary treat'?'. In Waltz, Eugene P. (ed.) Canada's Best Features: Critical Essays on 15 Canadian Films. Amsterdam and New York: Rodopi.
[2] Gittings, C. E. (2001) Canadian National Cinema, Ideology, Difference and Representation. New York and London: Routledge.
[3] Krishna, Shrinivas (1991) Masala. Unpublished production notes. Toronto.
[4] Krishna, Shrinivas (1991) Masala. Unpublished script. Toronto.
[5] Levitin, J. (2002) 'Deepa Mehta as Transnational Filmmakers, or You Can't Go Home Again'. In Beard, William and White, Jerry (eds) North of Everything – English-Canadian Cinema Since 1980. Edmonton, Alberta: University of Alberta Press.
[6] Shum, M. (1994) Double Happiness. Unpublished production notes. Toronto.
[7] Waltz, Eugene P. (2002) 'Introduction: What Is Canadian Cinema?'. In Waltz, Eugene P. (ed.) Canada's Best Features: Critical Essays on 15 Canadian Films. Amsterdam and New York: Rodopi.
[8] Waugh, T. (2002) 'Home is not the place one has left or Masala as 'a multicultural culinary treat'?'. In Waltz, Eugene P. (ed.) Canada's Best Features: Critical Essays on 15 Canadian Films. Amsterdam and New York: Rodopi.