Source document: Theatralia. 2016, vol. 19, iss. 2, pp. 123-129
Extent
123-129
-
ISSN1803-845X (print)2336-4548 (online)
Stable URL (handle): http://hdl.handle.net/11222.digilib/135858
Type
Article
Language
English
License: Not specified license
Document
References:
[1] BOURDIEU, Pierre. 1993. The Field of Cultural Production . Cambridge: Columbia University Press, 1993.
[2] MOUFFE, Chantal. 2013. Agonistics: Thinking the World Politically . London: Verso, 2013.
[3] SCHECHNER, Richard. 2003. Performance Theory . Revised and Expanded edition. New York: Routledge, 2003.
[4] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment . New York: Routledge, 2011.
[5] TAYLOR, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas . Dirham/London: Duke University Press, 2003.
[2] MOUFFE, Chantal. 2013. Agonistics: Thinking the World Politically . London: Verso, 2013.
[3] SCHECHNER, Richard. 2003. Performance Theory . Revised and Expanded edition. New York: Routledge, 2003.
[4] SCHNEIDER, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment . New York: Routledge, 2011.
[5] TAYLOR, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas . Dirham/London: Duke University Press, 2003.