K některým aspektům ztvárnění unisona a jeho metamorfizacím ve vybrané operní literatuře 2. pol. 19. a 1. pol. 20. století

Title: K některým aspektům ztvárnění unisona a jeho metamorfizacím ve vybrané operní literatuře 2. pol. 19. a 1. pol. 20. století
Variant title:
  • Some aspects of unisono rendering and its metamorphisms in selected opera literature of the second half of the 19th and first half of the 20th century
Author: Dichtl, Karel
Source document: Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 105-110
Extent
105-110
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type: Article
Language
 

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Abstract(s)
The text deals with the systematization of unison profilations in selected opera literature of the second half of the 19th and the first half of the 20th century. In general, Unisono thus creates an element of compositional sophistication. From a methodological point of view, it is possible to point out the systematization of unison profiles and observe the specification in the use of this composition technique. It is also possible to observe the aspect of polar sound unison coloring in connection with the original composition concept of individual composers.
References
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[2] BOUILHOL, Eliane. Massenet – son rôle dans l'évolution du théâtre musical. Saint-Étienne: s. n., 1969.

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[4] DICHTL, Karel. Muzikologické reflexe 2. České Budějovice: Protisk, 2017.

[5] GARTIOUX, Hervé. Giuseppe Verdi: Don Carlos. Heilbronn: Galland, 1997.

[6] LOCKE, Ralph P. Reflections on Orientalism in Opera and Musical Theater. The Opera Quarterly, roč. 10, 1993, č. 1, s. 48–64. | DOI 10.1093/oq/10.1.48

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[8] SCHNIERER, Miloš. Přehled dějin estetiky. České Budějovice: Jihočeská univerzita, 1997.