Název čísla
Prague semiotic stage revisited II
Rok
2014
Rok vydání
2014
ISSN
1803-845X (print)
2336-4548 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/130868
Poznámka
- This issue presents the outcome from the second symposium "Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, 20-22 May, 2013".
- Editoři čísla (Issue Editors): Barbora Příhodová, Tomáš Kačer (Masaryk University, Brno, CZ)
- Toto číslo vychází v rámci projektu Český divadelní strukturalismus: souvislosti a potenciál (2011‒2015; GAČR, č. P409/11/1082), financováno Grantovou agenturou ČR.
- This issue is published under the Research Grant Czech Structuralist Thought on Theatre: context and potency (2011‒2015; GAČR, č. P409/11/1082), subsidized by the Czech Science Foundation.
Ústav FF MU
Obor
Obsah:
Page | Title |
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5-6 | Editorial Kačer, Tomáš; Příhodová, Barbora | ![]() |
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7-10 | Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme | ![]() |
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[11]-[12] | [Contents of the section Yorick] | ![]() |
13-23 | Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences Billing, Christian M. | ![]() |
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24-40 | Between intentionality and affect: on Jan Mukařovský's theory of reception Meerzon, Yana | ![]() |
41-49 | The Prague School's contribution to the theory of intermediality Šlaisová, Eva | ![]() |
50-59 | Conceptualizing the Hollywood biopic Pérez-Simón, Andrés | ![]() |
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60-70 | Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater" Rokem, Freddie | ![]() |
71-80 | Otakar Zich's invisible actors and creative minds Pšenička, Martin | ![]() |
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81-95 | Functional reformulations: Prague School and intralingual translation Drábek, Pavel | ![]() |
96-110 | Jiří Veltruský revisited Schmid, Herta | ![]() |
111-121 | Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s) Havlíčková Kysová, Šárka; Příhodová, Barbora | ![]() |
122-136 | Jan Mukařovský and theatre Sládek, Ondřej | ![]() |
137-147 | Jindřich Honzl's texts on acting – between convention and spontaneity Musilová, Martina | ![]() |
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148-161 | Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences Ambros, Veronika | ![]() |
162-171 | Phenomenological aspects of the Prague School theatre theory Sakellaridou, Elizabeth | ![]() |
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[173]-[174] | [Contents of the section Archive] | ![]() |
175-187 | The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia Bernátek, Martin | ![]() |
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[189]-[190] | [Contents of the section Spectrum] | ![]() |
191-222 | Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting Příhodová, Barbora | ![]() |
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[223]-[224] | [Contents of the section Orientation] | ![]() |
225-226 | Hastábhinaja: gesta rukou v tradičním divadelním umění Indie Drábek, Pavel | ![]() |
227-229 | 100 years of Croatian set design and costume design 1909‒2009 Rogošić, Višnja | ![]() |
230-232 | Pavel Drábek's attempts at Shakespeare Kačer, Tomáš | ![]() |
233-237 | The chronotopical overview of Croatian performance art Majcen Linn, Olga | ![]() |
238-240 | In double trust: Shakespeare in Central Europe Kostihová, Marcela | ![]() |
241-243 | A fresh approach to old issues Havlíčková Kysová, Šárka | ![]() |
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[245]-[246] | [Contents of the section Events] | ![]() |
247-249 | "Theatrology at a crossroads": notes from a conference Satková, Naďa | ![]() |
250-251 | O' – Scenographic Video-Essays Kubart, Tomáš | ![]() |