Theatralia 2021, roč. 24, č. Special Issue

Title: Theatralia
Rok: 2021
Ročník: 24
Číslo: Special Issue
Název čísla
Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity
Rok vydání
2021
ISSN
1803-845X (print)
2336-4548 (online)
ISBN
978-80-210-9811-4
978-80-210-9823-7
Poznámka
  • Editors: Zsolt Almási and Kinga Földváry
Ústav FF MU
Katedra divadelních studií
Obor
divadelní věda
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Obsah

Úvodní stránky
Obsah
hidden section Introduction
Title Document
Introduction | 7–13
Almási, Zsolt; Földváry, Kinga 		PDF
Chapter 1: Raising the (Iron) Curtain: The Heritage of 1989 in the New Europe
Title Document
Shakespeare in purgatory: (re)writing the history of the post-war reception | 17–32
Cetera-Włodarczyk, Anna 		PDF
Shakespeare on the page in Romania: before and after 1989 | 33–46
Volceanov, George 		PDF
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990 | 47–64
Müller, Péter 		PDF
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre | 65–82
Pikli, Natália 		PDF
Shakestivalling' in the New Europe | 83–101
Cinpoeş, Nicoleta 		PDF
Chapter 2: (E)Merging Practices in Post-1989 Central European Theatre(s)
Title Document
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre | 105–119
Deres, Kornélia 		PDF
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest | 121–138
Kowalcze-Pawlik, Anna 		PDF
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition | 139–150
Fabiszak, Jacek 		PDF
Shakespeare in the post-1989 Hungarian Puppet Scene | 151–170
Reuss, Gabriella 		PDF
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989 | 171–185
Mišterová, Ivona 		PDF
Chapter 3: Performing Power and Identity
Title Document
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989 | 189–208
Havlíčková Kysová, Šárka 		PDF
Macbeth, petty bourgeois | 209–221
Wild, Jana 		PDF
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018) | 222–238
Almási, Zsolt 		PDF
Reappropriations of Shakespearean history on the post-communist Hungarian stage | 239–253
Földváry, Kinga 		PDF