Title: A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre
Source document: Theatralia. 2022, vol. 25, iss. 1, pp. 163-165
Extent
163-165
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2022-1-10
Stable URL (handle): https://hdl.handle.net/11222.digilib/145144
Type: Review
Language
License: CC BY-NC-ND 4.0 International
Reviewed work
Kunešová, Mariana. L'absurde dans le théâtre Dada et présurréaliste français. Première édition. Brno: Filozofická fakulta, Masarykova univerzita, 2016. 289 pp. Opera Facultatis philosophicae Universitatis Masarykianae = Spisy Filozofické fakulty Masarykovy univerzity, 458. ISBN 978-80-210-8461-2. Available also from: https://digilib.phil.muni.cz/handle/11222.digilib/136858.
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] BENEDIKT, Michael and George E. WELLWARTH (eds.). The Avant-garde, Dada, and Surrealism. French Theatre: An Anthology of Plays. New York: E.P. Dutton, 1966.
[2] ESSLIN, Martin. 1991. The Theatre of the Absurd. New York: Penguin Books, 1991.
[3] VITRAC, Roger. 2015. The Mysteries of Love. In Robert Knopf (ed.). Theatre of the Avant-garde, 1890–1950: A Critical Anthology. New Haven/London: Yale University Press, 2015: 309–338.
[2] ESSLIN, Martin. 1991. The Theatre of the Absurd. New York: Penguin Books, 1991.
[3] VITRAC, Roger. 2015. The Mysteries of Love. In Robert Knopf (ed.). Theatre of the Avant-garde, 1890–1950: A Critical Anthology. New Haven/London: Yale University Press, 2015: 309–338.