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Obsah. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 3.

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Veselovská, Eva. The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.

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Musil, Ondřej. Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.

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Obsah. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 3.

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Hruška, Viktor. Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.

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Kajanová, Yvetta. Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.

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Dobšinský, Peter. The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.

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Pavlica, Lukáš. The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.

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Cseres, Jozef. Marcel Duchamp's and John Cage's chess intermedia. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 19–28.

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Libin, Kathryn L.. Love and virtue in the Lobkowitz house theatre : Ferdinando Paër's L'amor conjugale. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 73–94.

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Nimylovych, Oleksandra, Filonenko, Ludomyr. Prague pages of the creative work of the Ukrainian composer Vasyl Barvinskyi. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 95–110.

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Szczygieł, Justyna. Franz Kautny (1788-1836): the owner of musical manuscripts from the Jasna Góra collection. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 125–150.

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Beckerman, Michael. Love and virtue in Cavalli's L'Erismena. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 5–12.

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Cígler, Pavel . Sources for research on the Union of Czechoslovak Composers. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 41–51.

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Studeničová, Hana. From Moravská Třebová to Klosterneuburg: to the fate of one part book. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 79–92.

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Svoboda, František. When the music changes, so does the dance : do we still need copyright collectives?. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 93–113.

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Ševčíková, Veronika. Romani music in Czech film after 1989, specifically between 1993 and 2017. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 129–142.

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Tichý, Vlastimil. The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 143–192.

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Tukova, Iryna. Art music and war : Ukrainian case 2022. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 193–204.

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Kaščák, Matwe. Galerie TIM uvádí: The Influence: digitálny odtlačok procesu mojho asociačného myslenia. TIM ezin. 2013, vol. 3, iss. 1-2, pp. 221–222.

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.

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