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Theatralia, 2021, vol. 24, issue 1.

Issue
Theatralia, 2021, vol. 24, issue 1, Supplementum.

Issue
Theatralia, 2021, vol. 24, issue Special Issue.

Issue
Theatralia, 2021, vol. 24, issue 2.

Article
Šlaisová, Eva. Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České písně kramářské. Theatralia. 2021, vol. 24, iss. 1, pp. 147–187.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Drábek, Pavel. Eva Stehlíková : kolegyně, odbornice, učitelka. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 11–13.

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Obrazová příloha. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 66–75.

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Mikulová, Iva, Kolařík, Aleš, Stehlíková, Karolína. Seznam přednášek a seminářů Evy Stehlíkové. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 57–65.

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Stehlíková, Karolína. Eva Stehlíková (1. 2. 1941 Plzeň – 12. 8. 2019 Brno). Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 15–16.

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Mikulová, Iva, Kolařík, Aleš, Stehlíková, Karolína. Bibliografie. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 21–49.

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Stehlíková, Karolína. O slavnostech a hostu : editorial. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 7–9.

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Seznam celostránkových fotografií. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 76.

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Mikulová, Iva, Kolařík, Aleš, Stehlíková, Karolína. Seznam diplomových a disertačních prací vedených Evou Stehlíkovou. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 51–56.

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Mikulová, Iva, Kolařík, Aleš. Ediční poznámka. Theatralia. 2021, vol. 24, iss. 1, Supplementum, pp. 17–19.

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Volceanov, George. Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.

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Almási, Zsolt, Földváry, Kinga. Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.

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Wild, Jana. Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.

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Mišterová, Ivona. Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.

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Cinpoeş, Nicoleta. Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.

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Havlíčková Kysová, Šárka. Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.

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Müller, Péter. Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.