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Lánská, Dita. Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.

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Vodička, Libor. Are these the last volumes of Czech Theatrical Encyclopaedia?. Theatralia. 2016, vol. 19, iss. 2, pp. 133–136.

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Drábek, Pavel. Bakhtin and theatre?. Theatralia. 2016, vol. 19, iss. 2, pp. 152–155.

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Ciesielski, Tomasz. Contemporary dance theatre in neurocognitive perspective – Granhøj Dans case. Theatralia. 2016, vol. 19, iss. 2, pp. 76–90.

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Havlíčková Kysová, Šárka, Kačer, Tomáš. Editorial. Theatralia. 2016, vol. 19, iss. 2, pp. 7–8.

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Drábek, Pavel. Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.

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Kašparová, Barbora. Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.

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Bulandrová, Amálie. Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.

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Konývková, Tereza, Arntzen, Knut Ove. Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.

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Vodička, Libor. The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.

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Jochmanová, Andrea. Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.

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Sajewska, Dorota, Sosnowska, Dorota. Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.

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Lazorčáková, Tatjana. Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.

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Majcen Linn, Olga. The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.

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Pšenička, Martin. Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.

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Sládek, Ondřej. Jan Mukařovský and theatre. Theatralia. 2014, vol. 17, iss. 2, pp. 122–136.

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Schmid, Herta. Jiří Veltruský revisited. Theatralia. 2014, vol. 17, iss. 2, pp. 96–110.

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Šlaisová, Eva. The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.

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Bulandrová, Amálie. The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.

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Přidalová, Jana. Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.

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Cetera-Włodarczyk, Anna. Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.

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Kowalcze-Pawlik, Anna. Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.

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Deres, Kornélia. Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.

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Reuss, Gabriella. Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.