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Title: Theatralia
Rok: 2018
Ročník: 21
Číslo: 2
Název čísla
Czech and Slovak scenography for Shakespeare
Rok vydání
2018
ISSN
1803-845X (print)
2336-4548 (online)
Poznámka
  • Editoři čísla (Issue Editors): Šárka Havlíčková Kysová (Masaryk University, Brno, CZ), Christian M. Billing (University of Hull, UK)
Title Document
Making space for Shakespeare in the Central European imaginary : editorial | 7–13
Billing, Christian M.; Havlíčková Kysová, Šárka
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Yorick
Title Document
Visualising process: Hofman's 1926 Hamlet reconstructive practice | 15–28
Fergusson, Cat
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A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets | 29–37
Matthews, Dan
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Scenographer Antonín Heythum and his work in the US: the case of King Lear | 38–63
Koubská, Vlasta
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From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre | 64–78
Wild, Jana
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Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad | 79–94
Koblišková, Zuzana
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A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko | 95–111
Tomaszewska, Ewa
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The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno | 112–126
Inštitorisová, Dagmar
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Othello and the perception of race within the cultural context of Czech and Slovak theatres | 127–140
Koblišková, Zuzana
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Spectrum
Title Document
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts | 141–160
Tagareva, Albena
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The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969 | 161–172
Spurná, Helena
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Guests
Title Document
Interview with Jan Dušek (13. 2. 2018) | 173–181
Koubská, Vlasta; Dušek, Jan
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We must take these risks : interview with Matthias Warstat | 182–186
Kunderová, Radka; Warstat, Matthias
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Obamovo tělo : performativní aspekty politické rétoriky | 187–199
Warstat, Matthias
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Reviews
Title Document
Mirrors of/for the times: Shakespeare in Central European theatre | 201–203
Krajník, Filip
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Hlasy troch prekladateľov | 204–207
Wild, Jana
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What makes British musicals uniquely British? | 208–210
Zálešáková, Tereza
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Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium | 211–213
Kačer, Tomáš
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How to present ancient theatre on television | 214–216
Stehlíková, Eva
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Events
Title Document
The urge to share knowledge | 217–219
Turzíková, Tereza
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Theory as a 'tool-box': Brno Theatralia Conference 2018 | 220–222
Lánská, Dita
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Zich's Guilt – reactions to the concert performance of extracts | 223–235
Drozd, David; Spurná, Helena; Bártová, Jindřiška; Flašar, Martin; Drábek, Pavel; Zahrádka, Jiří; Částková, Patricie; Kovaříková, Hana; Hložková, Hana
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Appendix
Title Document
Curculio aneb Darmojed | 237–267
Plautus
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