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Scharrer, Margret. Zwischen Venedig, Rom und Versailles – italienische Kastraten auf Abwegen?. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 283–295.

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Cseres, Jozef. Zrod intermedií v díle Roberta Rauschenberga. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 5–14.

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Page, Janet K.. Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Krchňák, Daniel. Unseld Lectures 2018: Patricia Churchlandová – Neurobiologie svědomí. Pro-Fil. 2018, vol. 19, iss. 1, pp. 67–68.

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Selfridge-Field, Eleanor. The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.

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Musicologica Brunensia, 2018, vol. 53, issue Supplementum.

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Studia philosophica. Studia philosophica. 2018, vol. 65, iss. 1-2, pp. 140–141.

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Zouhar, Jan. Tři setkání s Jiřinou Popelovou. Studia philosophica. 2018, vol. 65, iss. 1-2, pp. 29–35.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Ďurďovič, Martin. Schützova koncepce sociální intersubjektivity. Pro-Fil. 2018, vol. 19, iss. 2, pp. 12–27.

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Sůsa, Jan. Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 111–118.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Nejeschleba, Tomáš. Proč se hovoří o panteismu v renesanční filosofii?. Pro-Fil. 2018, vol. 19, iss. 1, pp. 2–18.

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Zouhar, Jan. [Pavličíková, Helena. František Mareš: od fyziologie k filosofii]. Studia philosophica. 2018, vol. 65, iss. 1-2, pp. 117–119.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Khokhlova, Elena. On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.

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Schachenmayr, Alkuin Volker. Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197–203.

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Holzbachová, Ivana. Dva názory na blízkou budoucnost (Hervé Juvin contra Gilles Lipovetsky). Studia philosophica. 2018, vol. 65, iss. 1-2, pp. 45–61.

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Charypar, Jan. Náboženské motivy v tvorbě Josefa Suka. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 51–64.

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Zedler, Andrea, Boschung, Magdalena. Musica transalpina : Text- und Musiktransfer am Beispiel des römischen Kantaten- und Serenatenrepertoires von Antonio Caldara. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 57–71.

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Pavlica, Lukáš. Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Ratolístková, Michaela, Spáčilová, Jana. The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.

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Comparin, Chiara. Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.