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Article
Havlíčková Kysová, Šárka.
Nicola Savarese. Eurasian theatre: drama and performance between East and West from classical antiquity to the present. Theatralia. 2012, vol. 15, iss. 2, pp. 211–219.
Chapter
Jeřábek, Richard.
Neznámé zlidovělé obrazy Trojice s třemi obličeji z Čech a Moravy. In: Jeřábek, Richard. Lidová výtvarná kultura : dvacet dva příspěvků k teorii, metodologii, ikonografii a komparatistice.
2011, pp. 95–106.
Article
Bartošová, Lada.
The National Theatre Ballets of František Zelenka. Theatralia. 2011, vol. 14, iss. 1, pp. 147–172.
Article
Woollard, Jane.
My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.
Chapter
Konývková, Tereza.
The moving body : performativity within the Sokol movement in the period of the formation of the modern Czech nation : summary. In: Konývková, Tereza. Tělo v pohybu : performativita sokolského hnutí v období formování moderního českého národa.
2020, pp. 115–116.
Chapter
Drábek, Pavel.
Modern stage conventions of realism : a defence of mimetic inconsistencies. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 27–40.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.
Article
Fabiszak, Jacek.
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 139–150.
Article
Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
Article
Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
Article
Havlíčková Kysová, Šárka, Příhodová, Barbora.
Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.
Article
Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Lánská, Dita.
Meaning(s) of Otakar Zich's concept of the 'semantic image'. Theatralia. 2016, vol. 19, iss. 2, pp. 103–121.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
Article
Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
Article
Billing, Christian M..
Marie Zdeňková, and Josef Vomáčka. Miroslav Melena: Scénograf a architekt (Scenographer and Architect) : published in Czech with a (mostly) parallel English translation. Theatralia. 2012, vol. 15, iss. 2, pp. 199–205.
Article
Brandesky, Joseph E..
Master of dramatic space: a documentary on Jaroslav Malina : by Dutch filmmaker Hans van Seventer. Theatralia. 2011, vol. 14, iss. 1, pp. 263.
Article
Stehlíková, Karolína.
The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.
Article
Doležalová, Barbora.
Martin Crimp: dramatik překladatelem, překladatel adaptátorem. Theatralia. 2012, vol. 15, iss. 1, pp. 214–226.
Article
Meerzon, Yana.
The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.
Article
Pérez-Simón, Andrés.
Manufacturing authenticity : anonymous acting celebrities in Atalaya's production of Lorca's The House of Bernarda Alba (2009). Theatralia. 2012, vol. 15, iss. 2, pp. 100–111.
Article
Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
Article
Wild, Jana.
Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.