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Displaying 876 - 900 of 1737

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ProInflow, 2011, vol. 3, issue 1.

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ProInflow, 2013, vol. 5, issue 1.

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ProInflow, 2015, vol. 7, issue 1.

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ProInflow, 2010, vol. 2, issue 1.

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ProInflow, 2012, vol. 4, issue 1.

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ProInflow, 2019, vol. 11, issue 2.

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ProInflow, 2016, vol. 8, issue 1.

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ProInflow, 2013, vol. 5, issue Speciální číslo.

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ProInflow, 2013, vol. 5, issue 2.

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ProInflow, 2021, vol. 13, issue 2.

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ProInflow, 2010, vol. 2, issue 2.

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ProInflow, 2017, vol. 9, issue 2.

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ProInflow, 2020, vol. 12, issue 2.

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ProInflow, 2015, vol. 7, issue 2.

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ProInflow, 2014, vol. 6, issue 1.

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Zelenková, Anna. Frank Wollman – dramatický text ako intencionálna danosť. Theatralia. 2021, vol. 24, iss. 1, pp. 240–254.

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Havlíčková Kysová, Šárka. Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.

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Mikyšková, Anna, Škrobánková, Klára. The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.

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Braga Riera, Jorge. Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Cetera-Włodarczyk, Anna, Pożar, Przemysław. Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.

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Calvi, Lisanna. "This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.

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Hájková, Simona. Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.